Sunday, November 29, 2015

Christmas Stars - Considerations and Decisions

60" square
There is nothing like a public commitment, along with a challenge, to get me to buckle down and focus.
The Christmas Lone Star blocks I made in 2002 (as described in the previous post) have been rescued from the UFO tub and come together in a very festive Christmas quilt... (technically still a top which at this late date will be the case until Christmas 2016)
Still, I am so pleased to have made progress on this! It was a major goal of mine this year to deal with my UFO's.
After determining the math and cutting the squares and triangles to finish each block, I got quite adept at the somewhat tricky process. As I worked at my machine I thought about how I might arrange them. I spent evenings browsing books from my collection for ideas and looking on-line using Google Image and Instagram with 'lone star quilts' as key words.
Texas being the 'Lone Star State' I started with these books:

Then these:

and this one, To Honor and Comfort, which inspired my Southwest Star

After studying these books and internet photos I knew what I wanted to do.

What is your destiny?
I decided to use nine of the ten blocks set 3 by 3 resulting in a square quilt. Besides the challenge of setting ten blocks, I felt that this one was much bolder than the others and that it would distract from the balance of the piece. I'll make something else with it.... pillow? table topper? wall or doll quilt?
Truer colors of the red and green

Every project involves multiple decisions. My considerations in this case were these:
  • What size and shape did I want the finished piece? 
  • How did I want to use it? 
  • How much time did I want to invest in it?
    • complexity of setting
    • how it would be quilted 
Ultimately, I decided to set the blocks straight, three by three, within a narrow (1.5") sashing for these reasons.

  •  Setting them side by side results in big open squares that insists on some pretty special quilting in my opinion. You can't see how that space is quilted in this example but you do see the big open areas of background.
  •  My blocks are all different and I like the idea of each one getting some attention.
  •  The finished size would be about 60" square - fitting for my goals.
  •  Available fabric -I found some of the same red in the stars in my Christmas bin for the sashing. I used tidbits, also in that bin, of a large scale print that also appears in most blocks, for the cornerstones.
I used EQ to play with numbers and layouts; with and without cornerstones in different colors; tan, green, mottled. I liked the break those little squares provided. That helped me decide to cut the sashing 2" wide and let it serve as the outer border.
I used my design wall to arrange the blocks.The process of making all of these artistic decisions can be frustrating but it's energizing in the end. This is my work. Yes, it takes a sometimes more agonizing path than following a pattern but the satisfaction you get as you take each step is worth it.
There are so many ways to do things; no one way is right. Keep moving along. Try things, decide, move on. Sometimes you don't know why you like one thing or another but you don't need to. Stand back, squint, move things, try this and that ...and you will know what you like. Be okay with ripping if what you thought would work doesn't. Get it the way you want it.

Each 2" square can be different
For example, I cut the 2" squares for the cornerstones from a large print and just sewed them in.  I wanted a random look...not match-y. But I realized when they were sewn in that one was almost all dark green and it stood out. I had to decide to leave it or remove it ...maybe I should use a different dark green for all of them; think think think.But I wanted them to be less obtrusive. I removed two of them and this time was more careful to selectively cut lighter squares that would blend.

I decided to put squares at each outer corner, too, and for those I thought before I cut! I wanted the dark green dominant with a cluster of red included so my fabric looks like Swiss cheese now.I like the result.

So now on to a few other things.....

What is on your 'to-do' list for the holidays?

Wednesday, November 18, 2015

The Lonestar revisited

"Desert Star"   78" x 86"
Hand quilted
Years ago I went on a retreat where I learned how to make the classic Lonestar quilt. We visit Arizona each year so I chose a southwest theme.

Here's the finished queen sized quilt. The very simple graphic result does involve a bit more complex piecing; working with diamond shapes and then setting in the corner squares and side triangles.
I got very excited about working with this design...and I went a little crazy!

I wanted to try different sized diamonds and other color combinations. I worked up a class which I taught both in Minnesota and Arizona.
I made three samples for that class; 30 inches square. This one is currently being quilted - you can see my pins. I'll use it on a wall or as a table topper.
Sample 1
The rest are still tops waiting to learn their fate. The patriotic themes may serve as centers for a larger quilt.
Sample 2
Sample 3
This size was doable for the students in the number of sessions we had, allowing them to get to the 'setting-in' part with guidance. That seems to be where many quilters abandon the design.

Here is one such top in progress... probably made around 1900 by the look of the fabrics. This is a 6 pointed star (which you see less often than the 8 point) but the construction and the challenges are similar.

I show it lying on the carpet and then lying atop a piece of blue fabric as a possible idea for finishing it -- someday--maybe.

I made a mini with scraps from the big one.
10" x 13"
Then I took a few Christmas fabrics I had on hand for yet another size - and made up 10 blocks, each different due the placement of the fabrics. It was fun ...but the stars ended up in UFO tub.
That was 2002!
Fast forward to last month. A quilting friend asked us to bring something to the December meeting that was holiday themed - that was unfinished - and that we wanted to finish. She'd come across a pillow she'd started years ago and was determined to finish it.
The pile of pieced stars

Those star blocks had been on my 'to-do' list for years! Her challenge came at just the right time for me.
Out came the blocks.
Out came the folder from my class with the tips for cutting the setting squares and triangles.

A shopping trip resulted in a fabric I thought would be perfect for background.
A Kay England print
I got busy cutting out the needed corner squares and side triangles and setting them in. 

The finished blocks measure 18" square. Here are 4 of them.

 Today I'll finish the rest and begin deciding on how to set them. 
Shall I use all 10 or go with just 9 - an easy 3 by 3 setting?
Maybe a narrow sashing?
Or 'on-point'?

 Stay tuned!
I promise is won't be 13 years!

Tuesday, November 10, 2015

Facing Winter

My last post looks rather ridiculous now; butterflies in November! Winter is closing in on Minnesota but fall lingers a bit, a day here and a day there, and today was one of those 'fallish' days. Sunny, with a light breeze - we made it into the 60's.
I got up intending to do some machine quilting on a small quilt; finish it maybe. But suddenly I had the urge to take advantage of the nice day and wash a vintage quilt.

I bought this in Arizona a few years ago. The simple arrangement of nine- patch blocks grouped into a larger four-patch appeals to me. Was the wide double pink sashing with intersections of a 4 patch done to enlarge the quilt? Did she happen to have a nice chunk of that pink?

An assortment of fabrics from the early 1900's includes mourning prints, double pinks - lots of that in the wide sashing - several chambrays, stripes and indigo from light to dark. Notice the swastika print shirting.  This would indicate it being made before WWII when that symbol took on such negative connotations.

The sashing within the 4 patch is an unusual blue print that feels like a soft wool challis. The batting may be wool, too. It has that sort of 'slippery' feeling when you rub the layers together as opposed to cotton which just doesn't move at all. There are no holes or openings so I can only guess about that but it I have 'sleep tested' this one and it feels like wool. Lightweight but instant warmth.

Hand quilted in an overall diagonal grid about 1"

It didn't seem particularly dirty but, after all, it's over 100 years old so why not freshen it up?
I used my top-loading machine leaving the lid up and doing the agitating with my own hands, gently. I laid it outside with large sheets under and over it.
(I took the sheet off for the photo!)

I enjoy close study of my old quilts. On this one did you notice in the full view that two sides have an extra strip of pink?

And especially intriguing is this blue square in one corner. Did she really run out of that pink? Or did she mark a corner so that she could more easily rotate the quilt for even wear?

The backing is plain cotton muslin

  It turned out beautifully! As always, the quilting design is enhanced and...
it smells like sunshine.

Sweet Dreams!