Monday, August 3, 2015

Mariner's Compass - DONE!

Drum Roll, please!
 This is it! The 5th and last entry on this 'long-term' project, first shared with you in 2011. I've put links below if you want the full background before reading the finale!

You may recall that I purchased the packet of reproduction fabrics, c. 1840, in 2007. They sat in lovely stacks for a few years before being put to use!

I made a concerted effort to stick with the hand quilting over the winter and that made a big difference. I set a goal to have it done this year; to use it on my bed this fall.  Or else!

I had decided early on that I would put my name on the front of the quilt. The two outermost bottom corner 6" blocks are plain with that in mind.
Deciding how I wanted to do that took some time but I'm happy that I didn't rush it. I wanted it to be just the right thing.

I knew I wanted to repeat the circle of the central Mariner's Compass and small blue circles in the corners of the checkerboard, seen in the view above.

                       I found this design in Antique Quilting Designs by Roberta Benvin.

It was used as the center quilting motif in a feathered wreath on the plain setting blocks of a c. 1840 Double Nine Patch quilt; a circle and the required four places defined to embroider my information. 
 That fit well with the date of the reproduction fabric I used as well as the frame style layout.


I enlarged the design and slipped it under the corner over a light box to trace.

I combined embroidery with complimentary quilting.  I used double strand blue thread for the chain-stitched circle and to outline leaf shapes.

 The data itself required using a single thread.

The label on the back contains a few more details but the basics are on the front for all to see. I don't want someone have to 'discover' it by accident in 100 years....or  worse yet, NOT discover it!

At last I was ready for the  final step. Binding.

I had run out of the mottled neutral background which probably would have been my choice if I'd had enough so I'd been carrying around a piece to get a good coordinating tone. I wanted the binding to be understated letting the sharp triangle 'pennants' stand out.

I found a large print that had the right 'tone' and I thought it would work when folded 'skinny' and be interesting. I made yards and yards of it, starting sewing it on and didn't like it.

 Rip. Rip. Rip.

I didn't want to get stuck this close to the end! Luckily, a fabric that came with the original fabric line worked and I had enough of it.

The last few stitches - Had to record them!



Size:86" W x 94" L
Hours to hand quilt: 140
Batt: wool
Original Design

I hope you are all well and enjoying your quilting adventures. I have been AWOL from writing this blog for some time and hope to be much more regular now. I have acquired quite a few new 'old' quilts I'd like to share with you and have finished lots of smaller projects, too.

 Please check back and send your comments to keep me honest.


Monday, March 16, 2015

Progress - Mariner's Compass Medallion

Lately I've  been working on a very long term project. I am hand quilting what may very possibly be my last large bed quilt. I am determined to continue even though it got to 88 today in Phoenix and it has wool batting! I work in the early part of the day or in the evening. And of course, I skip some days.

When I finished my 'stint' today I threw it down on the floor to admire it - always fun to see progress - and noticed that the light was perfect for for a few shots that capture the quilting.

I didn't crop this photo so you can get an idea of the size of the project

After quilting 1/4" from seams on the Mariner's Compass I did concentric circles, gradually increasing outward over that whole section, including the Flying Geese. I started with single parallel lines in the blue setting corners but it just didn't seem to be enough - so I doubled them.

The cable shows nicely in this one. You can see I have it placed it over two plain borders.

Here is a section of the back. I wanted you to see how I am quilting the hourglass block border.
 It is the section with triangles next to the toile where the straight lines alternate directions.

Here's the front showing the hourglass blocks.
 I didn't want to just outline along the seams and this, though not very visible, does quilt the area down with a consistency I like. I like to do designs that ignore the piecing.

Simple X's in the checkerboard borders.

I begin to think about my possible quilting designs even as I am piecing the top but I don't mark the entire quilt or really make many decisions until I am ready to quilt. I sketch out ideas, start in the middle and frequently get new ideas as I work. 

I am keeping track of my time on this one, just for fun. I use a small spiral's one page

Hours so far: 103

Monday, February 9, 2015

The Ruth Quilt - The Jean Quilt

47" wide x 40" high

In 2013 our Minnesota quilt study group had chosen 'Words or Letters on Quilts' as the topic of one of our quarterly meetings. We  wanted to focus on examples where they are a primary design element as opposed to such things as signature and friendship quilts which we had studied previously.
It was also our chosen 'challenge' that year. Anyone interested in trying techniques or styles we've studied does so and then shares their piece and what they learned through the process at the last meeting of the year.
I like doing the challenges and had been thinking about a few options for my project when this quilt was shown during Show and Tell at the AQSG seminar that fall in New Jersey.

47" wide by 40" high

This close up reveals interesting construction.The white squares and rectangles are hand appliqued to the red background, not pieced! It is knotted/tied with multi-strand cotton thread. The front is brought to the back and hand hemmed

I knew right away that I was going to make my own version for my study piece. When inspired by a vintage quilt I usually personalize it by making a few changes rather than 'copy' it. In this case, of course, I used my own name and as I usually do, I scaled down the size. I chose to do it in blue and cream. I contacted the owner and she generously measured all the dimensions and gave me permission to make and share my version.**

I worked on graph paper following old embroidery cross-stitch charts. I'm guessing that form of needlework was the inspiration for the early quilts with pieced letters.

For practice I made two pot holders for my friend, Gail Bakkom.

vintage example

Even though my name also has four letters, the cross-
stitch "N" takes up more space than the others. I tried various ways to narrow it and but it just didn't work.

Studying old quilts with the pieced alphabet I saw the wide N's W's and M's and decided just to do it that way.

So here's my project....a bit late, yes. But it's done!

21" wide by 19" high

 squares measure 1/2"

Here's a current pattern based on a vintage quilt with pieced alphabet border called  A-is-for-Apple available at the National Quilt Museum shop

Quilts with words and/or letters can be a fascinating topic of study. Some are cross-stitch style lettering as are mine and RUTH's. Many are appliqued.
 Here are a few more:

Bible Verses

Is this MOM? Or turn it upside-down...

Made by Gail Bakkom for our challenge

**Thanks to Carolyn Maruggi for permission to share RUTH quilt photos

Thursday, February 5, 2015

"Bias Trim Quilt":Chain or Fan Layout

Like so many quilt designs, this one has more than one name and numerous variations. I bought the top several years ago, loving the graphics and the fact that commercial bias tape was put to such a unique use.
It's in great condition, the workmanship is precise; it deserves to be finished. I planned to hand quilt it. That was the plan but, as with some of my other grandiose plans, it has languished on a shelf with lots of other tops, some also deserving, yet also unfinished.

Recently my interest in it was revived due to social media, really, and the generosity of Sharon Pinka, a fellow quilt lover. I had posted the photo on a FaceBook's Quilts Vintage and Antique where Sharon saw it and remembered that she had a pattern for it. She gave me the pattern when we met in Arizona recently, expressing how gratifying it is to find a good place for some of the things we all gather and store.

The February 1934 issue of McCall's magazine advertised their transfer printed patterns suggesting the 1930's as the approximate time period for this pattern.

The pattern includes two designs and sold for $.30. The package is smaller than later patterns; 5.25" x 6.5".

Referred to on the pattern tissue as Bias Trim Quilt you may prefer to assemble the blocks either in the 'fan' design as on the left (more Colonial they say) or the 'chain' (for the more "modern type of room".) Mine is set in a chain.
 You can see that my variation does not use a colored wedge in each corner and employs four colors of tape instead of three. The border on mine uses a LOT more bias tape and adds an extra touch not suggested in this pattern.

I enjoy reading directions and suggestions on old patterns. You are to sew the seams with a 3/16th seam. I've often seen old tops with skimpy seams. I've never seen it in printed directions.
"Three shades of bias trim...peach, lavender and rose" are suggested in tape  "1/2" wide as it comes on the card".
Directions for applying the binding suggest you trace the curved pencil lines on each 9" block as per pattern and stitch one edge of the binding along the inner curve using "Sheer Fabric Colored Cotton"; presumably a thread. The outer edge of the binding should then be "sewn to position flat."
Mine is machine topstitched neatly along the very edge. I suppose it could be hand appliqued but by the 30's I'm betting most people were happy to use their machine for such work.

For finishing, the term 'interlining' is used. I see no reference to batting. What do you think? It says, "Use double sheet cotton. This is sometimes sold in folded sheets. Leaving the sheet double, catch-stitch the sheets together to the required size and baste to the underside of quilt top."
After thus interlining the quilt you are to "join the seams of the lining (what we call backing) and baste to the back of the quilt."
This appears to me to be a top with three layers of woven cloth basted to it; a double layer of interlining and a lining. Is this how you interpret it?

Finding vintage patterns and studying them closely can yield helpful tips for those of us who love to study old quilts and ponder the sometimes puzzling construction.

When I did a quick search under 'fan' or 'chain' on the the Quilt Index and  the International Quilt Study Center none like this showed up but I have seen a few others in books and posted on-line.
Do you have one? Have you seen one?

Cardboard templates for the Double Wedding Ring design were also in the pattern envelope

Another example of using commercial tape for household items.
 A dish towel....I didn't think I had a photo of it but came across it recently.

I welcome your comments