Monday, April 2, 2018

Lone Star Project - Just What I Need

59" x 66"
left side points already removed!

Well, I've done it again. I was out on a "Search and Rescue" mission with my gal pals recently. This sweet Lone Star quilt caught my eye.  I turned it every which way but I didn't see a price.
"Would you like me to bring that up front for you?" said the nice man trolling the antique store. They do that to make it easier for you to continue to shop as you accumulate interesting objects that you don't really need. (and deter shop-lifting, I'm sure)

(So you know I bought it or I wouldn't have the picture or be attempting to justify the purchase.)








The full shot doesn't reflect the colors well. Here's a close up for a better idea.

overall pastel feel c. 1920

There was quite a bit of damage on all four sides. I told him I wasn't at all sure I wanted it, but he said it would need to be priced in any case. He said he'd try to reach the seller and have it up front.

When I returned to the front desk they had a price on it. $20. How could I not?



Trusty Clover Ripper




That very evening out came my ripper . . .

This photo is an attempt to show all four edges up close prior to ripping. You can barely see the pink binding at the right edge.


The binding on two ends, one pink, one green, is frayed and worn through. The other two sides are finished with points which were once pink. They were not made with the easy Prairie Point method of today. Instead they are individual triangles, sewn and turned.
 The sizes vary greatly and they've faded in varying degrees, some completely white, from their original pink, probably indicating which side of the bed was closest to the window.
frayed binding



A few days later I had removed all the points and binding.




I love that this quilt is machine quilted. Women used the machine to quilt their quilts as soon as machines became available. Women took pride in owning a machine and wanted to show it off. I've seen examples from the late 1800's are even done in contrasting thread perhaps to be sure it is noticed.

wavy grid edge to edge

 This one is done in a wavy grid. Lack of precision indicates hand guided which I find so much more interesting that the precise, automated look of some "perfect" long-arm examples of today.

I originally thought I would just trim up the edges and re-bind, maybe with a vintage tiny pink check in my stash. But it does look cute with points...doesn't it? I may reconsider. Points on just two sides makes it 'different' -  a bit more fun I think.

Do you wonder why she did that? The extra time it took? Wanting the sides to be featured. Why did she use different colored binding? Did she really not have enough? Or did she want to indicate top and bottom and rotate for even wear? Perhaps she was just a creative spirit.

Why do I love studying and rescuing old quilts almost more than making new quilts with new fabric? I just do!

Please leave a comment (I need to know you're out there) and check back soon to see how I decide to finish the edges. Also, I'll be updating you on my Brick series project with #8 very soon.

Tuesday, July 11, 2017

9 Patch Fun - Inspiration Evolves

The Inspiration Quilt
This picture has been on my bulletin board for a long time. I took it at a quilt show in the 1990's. The maker's name is Ruth Ann T (unreadable) from Ramsey, MN. I can't make out all the words but it is called Cabin II from a series of "cabin quilts" she was making. She was inspired by an 1800's "crib spread" in a book of antique quilts. Now, her quilt inspires me!

I like the scrappy look of alternating nine patches; some with light corners, some with dark.

Having recently finished my Kaye England top (see my January 31 post)  I needed another machine piecing project to bring to our community center sewing twice a month. I decided this was a good choice. I have a lot of unfinished projects in the queue but I got going on this and couldn't stop.

I began cutting a 2" strip off any yardage I had out for another project and making 9 patches whenever I felt like sitting at the machine with some mindless sewing. In time the box of strips and squares and some completed blocks was overflowing.

Blocks finish at 4.5"


As I sewed the 4.5" blocks together I got to thinking. Maybe I could do something more interesting.  I decided to work with the many leftover 1.5" squares from the Kaye England project as a 'center', surrounding them with the larger squares.


So the center is composed of 9 patches that finish at 3".
I wanted to surround that section with the 4.5" blocks I had been making.



I worked the math:
The 9 patches blend
for  a checkerboard appearance





Six
 3" blocks =18
Four 4.5 blocks =18

Whoopee!








I was excited by the idea. Then I took it one step further when I remembered a  collection of 6" nine patch blocks that I had acquired through an on-line swap many years ago.

But...how about the math?
Three 6" blocks =18

This was getting TOO exciting - Bonus...the blocks are already done!


My family of blocks:
Papa, Mama, and
Baby blocks

I surrounded the center with four rows of the 4.5" blocks.
I worked on the family room floor when I outgrew my design wall.




 
Trying out ideas for borders


I briefly considered using some plaid squares from my stash as the final border - - nope.

           Didn't like that.








Back breaking work



From the 6" blocks I chose the darker tones to create a visual border.
I liked that - two rows of those make an 80" square top.








Here is the result:

The bottom row not fully visible in this photo.

In this kind of quilt everything works. Even, maybe especially, ugly blocks and fabrics can be used. They contribute to the interest and get lost in the crowd. I tried not to overthink placement but did squint and change a few things that stood out too much.


Go ahead. Ask. 
 2,358 squares


The top on a double bed.

I realized I've had this concept in the back of my mind for years. I remembered seeing something similar in Houston in 2002...I create files to help me organize all my quilt photos and there in the Shows>Houston file was this cheerful example. No border. 

(I may not remember people's names but I never forget a quilt!)



















From my collection:  Related concept using 4 patches instead 9's



You can see the 4 patch structure


I really like working with scraps. I have shelves full of yardage but I get great pleasure picking through tiny pieces, pressing them and playing. Are any of you scrap-aholics?




Amazing what fun you can have with strips of different sizes. Cut your leftover chunks into strips as you work on other projects and before you know it you'll build up a collection to play with.

If you have made quilts like this, or have vintage examples, you can send photos and I'll add them to my next post.

Happy Scrapping!

click my name under my photo in the upper right to send me an email






Saturday, June 3, 2017

Quilts for Dolly's Bed - Small Wonders Part I

Simple 9 patch c. 1930


I recently did a talk and trunk show for a local quilt guild called "Small Wonders."  I included about thirty vintage doll quilts from my collection and a dozen or so small quilts that I've made as well as a few small non-quilt textiles.

Here are a few vintage examples:








c. 1880      16" square 



A few of them are reversible.

Was it a case of trying to use up fabric bits, or possibly more practice perfecting the stitching of a young girl ?

c. 1950       22" square


This one has a special backing. It's printed patchwork; now often called "cheater" print.

c. 1900            14 x 22

The back


14 x 17


                                                                                This one was obviously made with care, perhaps by a loving mother or grandmother. 

Small scale hand-pieced stars, two borders with corner squares and hand quilted.
                                         

11 x 16


This little strippy could have been made by a little girl for her doll but we shouldn't assume that children had inferior sewing skills. In the 1800's young girls may have had better skills than older women who may have had arthritis in their hands or poor vision.

This being c. 1940,  I'd guess a youngster made it.


Polyester knit c. 1960
22 x 22


We can't ignore the poly period!                               
This little log cabin is tied, has a green plaid polyester backing and will outlive us all.                                                  



And here's a special treat!
 I just came across this poem in my files. It appeared in Good Housekeeping, July 1886.





A Jingle for the Little Ones:  

The Crazy Quilt

O summer sunset give to me 
The crimson glow you shed. 
Violet give me of your blue - 
O rose give of your red. 
O parrot give me all the green 
That round your neck is spread. 
O thistle give me of your down- 
O spider weave me thread. 
I want to make a Crazy Quilt 
For on my dolly's bed.

-- Frank H. Stauffer



Next:Part II of Small Wonders; quilts I've made - including a Crazy!

Monday, May 1, 2017

Spring Cleaning - Aprons


Decorative Dutch clogs!
My calendar flipped to May but it feels more like winter the last few days here in Minnesota. Last night it snowed up north. I got out my puffy winter coat for my walk today.

Still, I've been in the mood for some spring cleaning. It does not involve soap and water, rubber gloves or dust cloths. I must downsize my textile collection. I'm starting with a drawer full of vintage aprons collected over the years. I've washed and pressed them all and they look so nice.

 Maybe, on second thought, I can't let them go! But, no. I must do this so I'm enjoying fondling them and preparing them for new homes.



Here's a red tulips beauty. Until I was taking the close-up photo I didn't realize the stems are in Dutch clogs! It has one pocket on the left and so pristine I doubt it's ever been used. A border print put to great use.












And here's a cheerful apron in a great vintage print. Yellow commercial bias tape trims the large pockets and edges adding a bit of zing.













If you'd like more information on either of these aprons or are interested in the rest of the collection please contact me via email.







And here's a set of three very sweet embroidered gingham half-aprons.  Go to Etsy for more details.

 Here's a peek:



                                           HAPPY MAY DAY!

             Click here for a May Day post on baskets and flowers quilts.